Deux vues nues
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Deux Vues Nues , until November 12th Gary Breckheimer and Renée Jacobs; Two American photographers who have achieved worldwide recognition for their depictions of the female form have both recently returned from Paris, each with a new body of work exuding feminine power and sensuality. Gary Breckheimer; A New York based photographer and winner of the 2007 International Photography Awards for Fine Art Nude, and Spider Award recipient of two Honorable Mentions, enjoyed commercial success as a fashion photographer before returning to the world of fine art. His work has been featured in numerous publications including; German Playboy, German Vogue, Italian Vogue Sposa, Australian Vogue, Mademoiselle, Playboy, The New Yorker, B&W Magazine, Fine Art Photo, and Editorial Photo. Breckheimer's work focuses predominantly on the juxtaposition of the naked female form against the backdrop of a harsh city, and his work has been featured in group shows in America, Germany, France, and England since 1994. Signed copies of Breckheimer's 80 page monograph Naked City will be available for purchase. Renée Jacobs; A Los Angeles based photographer was awarded the prestigious International Photography Awards first place award for Fine Art Nude in 2008. Her work has been featured in in numerous publications including; The New York Times, Fine Art Photo, Silvershotz (Austraiia), Adore Noir, FHM (Germany), Esquire (Turkey), Photoicon, B&W Magazine, and Nude Magazine. Jacobs' early photojournalism included assignments for The New York Times, and The Philadelphia Inquirer among others. She received the Robert F. Kennedy Award for Outstanding Coverage of the Disadvantaged, and her work is in the permanent collection of the JFK Presidential library. Jacobs' monograph Slow Burn: A Photo document of Centralia, Pennsylvania was originally published in 1986 and re-issued in 2010 to favorable reviews in the New York Times, and Photo-eye. After a 15 year detour as a civil rights lawyer, Jacobs has returned to her love of photography. |
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